There is a focus and ease of use in this Virtual Instrument that is unprecedented. Whilst retaining the warm luscious tones produced in the world class Verbrugghen Hall of the Sydney Conservatorium, the new version features a sleek new interface and even smoother legato. The result is a string library that is easy to use, composer-friendly, with unparalleled recording quality. The library was designed by composers, for composers, with direct feedback from the film music community during its development. This results in unsurpassed legato performance that has never been available. Extensive multi-dynamic true legato has been sampled for all sections in three different categories: slurred, portamento, and bow change. Vibrato intensity and extensive dynamics are controllable by the user. Finger position is, for the first time, controllable by the user, so you can play as far up the strings as you want, and get a fuller more romantic Hollywood sound. At its heart is a piece orchestra accompanied by a thunderous cinematic percussion section, dynamically layered loops designed by award winning music makers, an enormous steam synthesiser and many more surprises. This award-winning collection has set the standard for orchestra sample libraries. These playable ensembles cover different sections and groups from the orchestra as well as the entire orchestra playing together. Johnson, the EastWest: Symphonic Orchestra is the most awarded orchestral collection ever, including winning Sound On Sound's Reader's Choice Award an unprecedented 3-times, and the first orchestral collection to be recorded in a "state of the art" concert hall where orchestras mainly perform. Take control of an piece ensemble, recorded with the utmost precision in four different settings for maximum flexibility and realism. This list is by no means complete, but we at S1E feel that these 30 plugins represent the latest and greatest Orchestral VIs currently available. The quantity and quality of libraries available is frankly staggering. We in the audio tech world revel in choice and variety, not least so when it comes to virtual instruments. The sheer number of companies producing top-quality software for orchestral sampling has increased substantially of late, and there are more options now for the digital composer than ever before in this ever-expanding ecosystem. Compiling a general survey of orchestral sample libraries available becomes more and more difficult every year.
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